{"id":28749,"date":"2016-10-24T10:23:23","date_gmt":"2016-10-24T08:23:23","guid":{"rendered":"http:\/\/www.lydiacevidalli.it\/?p=28749\/"},"modified":"2017-05-19T18:52:02","modified_gmt":"2017-05-19T16:52:02","slug":"novecento-italiano","status":"publish","type":"post","link":"https:\/\/www.lydiacevidalli.it\/en\/novecento-italiano\/","title":{"rendered":"Italian repertoire from the \u2018900"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; transparent_background=&#8221;on&#8221; allow_player_pause=&#8221;off&#8221; inner_shadow=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; make_equal=&#8221;off&#8221; use_custom_gutter=&#8221;off&#8221; custom_padding=&#8221;0px|||&#8221; custom_css_main_element=&#8221;margin-top:-40px&#8221;][et_pb_row admin_label=&#8221;row&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; use_custom_gutter=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;off&#8221; make_equal=&#8221;off&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; background_color_1=&#8221;rgba(255,255,255,0)&#8221; column_padding_mobile=&#8221;on&#8221; custom_padding=&#8221;0px|||&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Testo&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221;]<\/p>\n<h2><\/h2>\n<h4>L. Sinigaglia, M. Castelnuovo-Tedesco, G.A. Fano, V. Norsa, A. Hemsi<\/h4>\n<p>This proposal offers successful and now forgotten works to the leasteners.<br \/>\nSpontaneous songwriting, rhythmic richness and popular melodies of the tradition are the elements that characterize the works of many composers of the early twentieth century.<\/p>\n<p>Some compositions are still unpublished, deposited in private funds or libraries: the research aims to enhance the Italian heritage of the past century, unfairly unrepresented.<br \/>\nLeone Sinigaglia is the most important example of the program: a composer of solid preparation, he has known and worked alongside composers such as Brahms and Dvorak; combines with the singing melodies and vibrant rhythms typical of Italian tradition, the solid structure of the late-romantic German world and the elegance of French aesthetics.<\/p>\n<p>Sinigaglia transcribed for voice and piano the songs heard by the lively peasants of the hills of Cavoretto, near Turin, where the family owned a house. This version was added to others, including one for one or two voices and string quartet in the proposal.<\/p>\n<p><strong>For this program 3 to 6 musicians: <\/strong>trio with piano or string singing and quartet<\/p>\n<p>These programs were performed in Milan in 2014 at the Casa della Cultura, Copenhagen for the &#8220;Night of Culture&#8221; and in Milan on various occasions in 2012.<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_code admin_label=&#8221;Codice&#8221;]&lt;iframe width=&#8221;100%&#8221; height=&#8221;166&#8243; scrolling=&#8221;no&#8221; frameborder=&#8221;no&#8221; src=&#8221;https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/40183815&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221;&gt;&lt;\/iframe&gt;&lt;!&#8211; [et_pb_line_break_holder] &#8211;&gt;&lt;!&#8211; [et_pb_line_break_holder] &#8211;&gt;&lt;!&#8211; [et_pb_line_break_holder] &#8211;&gt;&lt;iframe width=&#8221;100%&#8221; height=&#8221;166&#8243; scrolling=&#8221;no&#8221; frameborder=&#8221;no&#8221; src=&#8221;https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/40196000&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221;&gt;&lt;\/iframe&gt;[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>L. Sinigaglia, M. Castelnuovo-Tedesco, G.A. Fano, V. Norsa, A. Hemsi This proposal offers successful and now forgotten works to the leasteners. Spontaneous songwriting, rhythmic richness and popular melodies of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28298,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"Spontanea cantabilit\u00e0, ricchezza ritmica e melodie popolari della tradizione sono gli elementi che caratterizzano le composizioni di molti musicisti della prima met\u00e0 del XX secolo. Le musiche proposte sono il frutto di una ricerca volta a portare a conoscenza del pubblico opere di successo ed ora dimenticate; altre composizione sono tuttora inedite, depositate in fondi o biblioteche private.\r\nLa ricerca vuole valorizzare il patrimonio musicale italiano dello scorso secolo, ingiustamente poco apprezzato.\r\n<strong>Leone Sinigaglia<\/strong> \u00e8 l\u2019esempio pi\u00f9 illustre del programma: compositore di solida preparazione, ha conosciuto e lavorato accanto a compositori quali Brahms e Dvorak; unisce alla melodia cantabile e al ritmo vivace tipici della tradizione italiana, la solida struttura del mondo tardo-romantico tedesco e l\u2019eleganza dell\u2019estetica francese. A tutto ci\u00f2 si unisce un tocco sognante, come un ricordo d\u2019infanzia, sensazioni che rendono le sue composizioni particolarmente piacevoli all\u2019ascolto.","_et_gb_content_width":"","footnotes":""},"categories":[52],"tags":[],"class_list":["post-28749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projects"],"_links":{"self":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/posts\/28749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/comments?post=28749"}],"version-history":[{"count":0,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/posts\/28749\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/media\/28298"}],"wp:attachment":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/media?parent=28749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/categories?post=28749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/tags?post=28749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}