{"id":32284,"date":"2022-11-29T11:20:02","date_gmt":"2022-11-29T10:20:02","guid":{"rendered":"https:\/\/www.lydiacevidalli.it\/tradizione-ebraica-e-cristianesimo-in-musica\/"},"modified":"2024-10-26T23:19:25","modified_gmt":"2024-10-26T21:19:25","slug":"the-music-of-the-biblical-heroines","status":"publish","type":"page","link":"https:\/\/www.lydiacevidalli.it\/en\/the-music-of-the-biblical-heroines\/","title":{"rendered":"The music of the biblical heroines"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;3_4,1_4&#8243; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.20.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Ensemble Salomone Rossi<br \/><strong>The music of the biblical heroines<\/strong><\/h2>\n<p><strong>Nicol\u00f2 Balducci, countertenor \u2013 Angelica Disanto, sopra<em>no<\/em><\/strong><\/p>\n<p><strong><em>Cantatas, Psalms, and music from Oratorios for on or two voices,\u00a0 from the seventeenth and eighteenth century repertoire, with instruments and basso continuo<\/em><\/strong><\/p>\n<p>The central point of the program is dedicated to important female figures present in the biblical stories.<br \/>The proposal highlights the co-presence of Jewish and Christian sacred music by composers such as Alessandro Stradella, Benedetto Marcello and Cristiano Giuseppe Lidarti.<br \/>This repertoire is enriched by compositions by G.F. Handel and P.A. Locatelli who contributed to the knowledge of Benedetto Marcello&#8217;s Psalms in Europe.<\/p>\n<p>For this program, the participation of one or two singers and six instrumentalists are expected to be present.<\/p>\n<p>&nbsp;<\/p>\n<hr style=\"margin: 20px 0;\" \/>\n<h4>Da Spotify: CD &#8220;Benedetto Marcello Psalms and Sonatas&#8221;<\/h4>\n<p><strong>Salmo 21, \u201cQuai giovenchi feroci\u201d \u2013 mezzosoprano Marta Fumagalli<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: Psalm 21, S. 621 &quot;Volgi mio Dio&quot;: No. 6, Quai giovenchi feroci\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/1oCiaSPzveHPa5BlTmN8ZH?si=a326f96a4f4e42b0&#038;utm_source=oembed\"><\/iframe><\/p>\n<p><strong>Salmo 21, \u201cAnnunziato alle future genti\u201d \u2013 mezzosoprano Marta Fumagalli<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: Psalm 21, S. 621 &quot;Volgi mio Dio&quot;: No. 18, Annunziato alle future genti - No. 19, La giustizia di lui\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6f1mcE8f5HocGSt5hOQqXo?si=d334399f067c459e&#038;utm_source=oembed\"><\/iframe><\/p>\n<p><strong>Salmo 42, \u201cDa un popolo che a te non fu\u201d \u2013 basso Laurence Meikle<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: Psalm 42, S. 642 &quot;Dal tribunal&amp;apos;augusto&quot;: No. 5, Sopra di me diffondasi\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/5mQahdJhNtvQy9nxI8uYyY?si=fd391f6d64d04743&#038;utm_source=oembed\"><\/iframe><\/p>\n<hr style=\"margin: 20px 0;\" \/>\n<h4>Da Spotify: CD &#8220;Salmi e sonate di Benedetto Marcello&#8221;<\/h4>\n<p><strong>Benedetto Marcello, Sonata in Fa maggiore, Adagio \u2013 violino Lydia Cevidalli<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: Sonata per violino e basso continuo in F Major: I. Adagio\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/77i05slsm4sCE1GO1TpNQ2?si=b90d176396614ddf&#038;utm_source=oembed\"><\/iframe><\/p>\n<h4>Dalla tourn\u00e9e di concerti in Francia, ottobre 2021<\/h4>\n<p><strong>Benedetto Marcello<\/strong><br \/><strong>Salmo 21\u00a0da \u201cL\u2019Estro poetico armonico\u201d<\/strong><br \/><strong>Intonazione \u201cShofet kol haaretz\u201d e Aria \u201cNon tardi dunque il tuo soccorso\u201d<\/strong><br \/><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F-ap0VHRqIg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Da \u201cL\u2019Estro poetico armonico\u201d<\/strong><br \/><strong>Intonazione Odech\u00e0 ki anitani e Aria Cui l\u2019empio<\/strong><br \/><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2VSK9IDlVuQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Salmo 14<\/strong><br \/><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4DI86miKFfs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_sidebar orientation=&#8221;right&#8221; area=&#8221;sidebar-1&#8243; _builder_version=&#8221;4.16&#8243; remove_border=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_sidebar][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Ensemble Salomone RossiThe music of the biblical heroines Nicol\u00f2 Balducci, countertenor \u2013 Angelica Disanto, soprano Cantatas, Psalms, and music from Oratorios for on or two voices,\u00a0 from the seventeenth and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-32284","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/pages\/32284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/comments?post=32284"}],"version-history":[{"count":0,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/pages\/32284\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/media?parent=32284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}