{"id":28883,"date":"2016-10-31T10:48:13","date_gmt":"2016-10-31T09:48:13","guid":{"rendered":"http:\/\/www.lydiacevidalli.it\/?page_id=28883\/"},"modified":"2024-12-04T16:15:09","modified_gmt":"2024-12-04T15:15:09","slug":"musical-flowers-from-the-jewish-baroque","status":"publish","type":"page","link":"https:\/\/www.lydiacevidalli.it\/en\/musical-flowers-from-the-jewish-baroque\/","title":{"rendered":"Musical flowers from the Jewish baroque"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;3_4,1_4&#8243; admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; use_border_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Ensemble Salomone Rossi<br \/><strong>Musical flowers from the Italian and European Jewish Baroque<\/strong><\/h2>\n<h4>Jewish Tradition in European Baroque Music<\/h4>\n<p><strong><\/strong><\/p>\n<p><strong>Nicol\u00f2 Balducci, countertenor &#8211; Vincenzo Di Donato, tenor<br \/><\/strong><strong> Marta Fumagalli, mezzosoprano<\/strong><strong><\/strong><\/p>\n<p>The program contains music of the seventeenth and eighteenth centuries from all Europe, in which Benedetto Marcello\u2019s Psalms have a special place, because in 2024 there is the anniversary of their publication in Venice (1724 and 1728)<strong><\/strong><\/p>\n<p>The Psalms are performed with the original <em>Intonazioni Ebraiche<\/em>, and are alternated to instrumental pieces by different composers, closely linked to the city of Venice.<\/p>\n<p>In this regard, for the <a href=\"https:\/\/www.lydiacevidalli.it\/benedetto-marcello-project\/\"><strong>Benedetto Marcello Project<\/strong><\/a> which began a few years ago, a third CD is expected to be released soon, in collaboration with the <a href=\"https:\/\/www.odhecaton.it\/\"><strong>Odhecaton Vocal Ensemble<\/strong><\/a>, directed by Paolo Da Col.<\/p>\n<p><b>Repertoire:<\/b> Salomone Rossi, Benedetto Marcello, Evaristo F. Dall&#8217;Abaco, A. Vivaldi, T. Albinoni, Giuseppe C. Lidarti<br \/>For this program the participation of a solo singer and six instrumentalists are expected to be present.<\/p>\n<p><strong> <\/strong><\/p>\n<p>Updated October 2024<strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><strong><a href=\"https:\/\/www.lydiacevidalli.it\/en\/ensemble-salomone-rossi-discography\/\"><strong>See Discography<\/strong><\/a><\/strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<hr style=\"margin: 20px 0;\" \/>\n<h4>Da Spotify: CD &#8220;Benedetto Marcello Psalms and Sonatas&#8221;<\/h4>\n<p><strong>Benedetto Marcello, Salmo 21, \u201cSignor, non tardi dunque il tuo soccorso\u201d \u2013 mezzosoprano Marta Fumagalli<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: Psalm 21, S. 621 &quot;Volgi mio Dio&quot;: No. 11, Signor, non tardi dunque il Tuo soccorso!\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6OAyFdWCFLhMsiPJ7jUFcN?si=68dc62f1273445be&#038;utm_source=oembed\"><\/iframe><\/p>\n<h4>Da Spotify: CD &#8220;Salmi e sonate di Benedetto Marcello&#8221;<\/h4>\n<p><strong>Benedetto Marcello, Sonata in Fa maggiore, Adagio \u2013 violino Lydia Cevidalli<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: Sonata per violino e basso continuo in F Major: I. Adagio\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/77i05slsm4sCE1GO1TpNQ2?si=b90d176396614ddf&#038;utm_source=oembed\"><\/iframe><\/p>\n<h4>Da Spotify: CD \u201cJewish Baroque Music\u201d<\/h4>\n<p><strong>Salomone Rossi: \u201cEin Kelohenu\u201d a 8 voci<\/strong><\/p>\n<p><iframe title=\"Spotify Embed: En Kelohenu\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4xkdCVTVjfDRsZ4Rzt1GZz?si=d0bc9ffcd3f04178&#038;utm_source=oembed\"><\/iframe><\/p>\n<hr style=\"margin: 20px 0;\" \/>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>From live concert, France concert tour, October 2021<\/h4>\n<p><strong>Avraham Caceres &#8211; Hishki hizki<\/strong><br \/><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uDL4E2Eu-xM\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>Salomone Rossi &#8211; Sinfonia<\/strong><br \/><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hGh3A0mSYL8\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>Salomone Rossi &#8211; Salmo Lamnatseach al haghittit<\/strong><br \/><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PTC-0Mgg1pg\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<strong>Dalla registrazione per il documentario della BBC \u201cThe story of the Jews\u201d \u2013 Venezia, Scuola degli Armeni, Luglio 2012<\/strong><br \/><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/113567567&amp;color=b77e4c&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/113685973&amp;color=b77e4c&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; vertical_offset_tablet=&#8221;0&#8243; horizontal_offset_tablet=&#8221;0&#8243; z_index_tablet=&#8221;0&#8243; text_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_text_shadow_blur_strength_tablet=&#8221;1px&#8221; link_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; link_text_shadow_vertical_length_tablet=&#8221;0px&#8221; link_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ul_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ul_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ul_text_shadow_blur_strength_tablet=&#8221;1px&#8221; ol_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; ol_text_shadow_vertical_length_tablet=&#8221;0px&#8221; ol_text_shadow_blur_strength_tablet=&#8221;1px&#8221; quote_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><iframe loading=\"lazy\" title=\"Salomone Rossi - Sinfonia, Gagliarda Marchesina e Gagliarda Massara, Salmo Lamnatseach al Hagittit\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/u2z0pNJwTfM?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>[\/et_pb_text][et_pb_testimonial author=&#8221;Verdun, L&#8217;Est R\u00e9publicain &#8211; October 2021&#8243; job_title=&#8221;La musique baroque italienne et sa composante juive&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<em>Pr\u00e8s d\u2019une centaine de m\u00e9lomanes ont assist\u00e9 au concert de l\u2019ensemble Salomone Rossi donn\u00e9 au Centre mondial de la Paix. Emilio Lolli, consul g\u00e9n\u00e9ral d\u2019Italie \u00e0 Metz, a expliqu\u00e9 dans son mot d\u2019accueil\u00a0: \u00ab\u00a0Cet ensemble est en tourn\u00e9e dans six villes de l\u2019Est pour faire d\u00e9couvrir la composante juive dans la musique baroque italienne.\u00a0\u00bb Salomone Rossi (1570-1630), violoniste et compositeur juif, \u00e9tait une figure centrale du d\u00e9but du baroque. Dans un programme comprenant Haendel et Vivaldi, au sein de l\u2019ensemble compos\u00e9 de deux violons, un violoncelle et un clavecin, le public a appr\u00e9ci\u00e9 la superbe voix du jeune soprano Nicolo Balducci.<\/em><\/p>\n<p>[\/et_pb_testimonial][et_pb_testimonial author=&#8221;Forumopera.com &#8211; April 2021&#8243; job_title=&#8221;Yvan Beuvard&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<em>\u201cLa voce di Marta Fumagalli, calda,\u00a0carnosa, con bassi superbi, sostenuta con costanza, oltre che con una articolazione esemplare, \u00e8 in linea con quella di Rinat Shaham che gi\u00e0 vent&#8217;anni fa ci offriva tre salmi.\u00a0Un successo da sottolineare.\u201d<br \/>\u201cLa voce potente, con bassi solidi di Laurence Meikle, non fallisce mai.\u00a0Quanto ai sei strumentisti, con la direzione di Lydia Cevidalli, sono una gioia costante, l\u2019esecuzione di un ensemble perfetto, virtuoso, nervoso, reattivo, sempre complice della voce.\u00a0La qualit\u00e0 della realizzazione del basso continuo, guidata dalla tiorba, \u00e8 eccezionale.\u00a0Un traguardo da segnare come una pietra miliare, che merita di andare oltre la cerchia degli appassionati di musica barocca, in quanto la sua espressione \u00e8 universale.\u201d<br \/>\u201cEsistono diversi fattori che inducono l&#8217;eventuale ascoltatore a confidare nella valentia dei musicisti che si sono impegnati in questo meritorio percorso, a cominciare da Lydia Cevidalli, violinista che ha raggiunto un&#8217;indiscutibile autorevolezza grazie alla ricerca durata decenni sulla musica barocca.\u201d<\/em><\/p>\n<p>[\/et_pb_testimonial][et_pb_testimonial author=&#8221;Non solo audiofili, April 2021&#8243; job_title=&#8221;Alfredo Di Pietro&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<em>\u201cIl mezzosoprano Marta Fumagalli spicca per il nobile e fiero portamento vocale, per la sua grande capacit\u00e0 d&#8217;introdurci in quella &#8220;Teoria degli affetti&#8221; che sola pu\u00f2 rendere vive a vitali queste meravigliose pagine.\u201d<br \/>\u201c\u2026il germogliare di colorature che evidenziano la tecnica da virtuoso di Meikle\u201d<br \/>\u201cAlla parola si sostituisce il suono del clavicembalo di Giovanni Togni e del violino di Lydia Cevidalli, dove riconosciamo, trasposte per strumento, quelle stesse qualit\u00e0 di commossa recitazione e slancio melodico che abbiamo gi\u00e0 ammirato nel Salmo 21.\u201d<br \/>\u201cAlla fine emergono in questa lodevolissima edizione discografica tutta la seriet\u00e0 e l&#8217;impegno che sono stati messi nel donare all&#8217;ascoltatore una musica dalle portentose virt\u00f9, eseguita con quella &#8220;semplicit\u00e0&#8221; che non deve in nessun modo essere scambiata per limitatezza o semplificazione. \u00c8 proprio in questo che consiste la sua forza, scaturente da una visione limpida, pura come acqua di roccia, trasparente al punto da tale da far passare intonse, mai annebbiate o corrotte da uno stile inadeguato, quelle munifiche e umanissime immagini sonore che cantano alla gloria di Dio.\u201d<\/em><\/p>\n<p>[\/et_pb_testimonial][et_pb_testimonial author=&#8221;Gazzetta di Parma&#8221; job_title=&#8221; 25 Maggio 2016&#8243; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<em>Da anni la violinista milanese Lydia Cevidalli si dedica a mettere in luce i legami nascosti, ma strettissimi, tra i compositori di area ebraica e quelli della tradizione cristiana-occidentale. Il suo instancabile impegno \u2013 che si concentra in particolare sul repertorio barocco, di cui \u00e8 tra le interpreti pi\u00f9 autorevoli \u2013 ha sottratto all\u2019oblio moltissime pagine, che ha eseguito alla testa dell\u2019Ensemble Salomone Rossi in sedi prestigiose, di recente anche al Palazzo del Quirinale in diretta su Radio3<\/em><\/p>\n<p>[\/et_pb_testimonial][et_pb_testimonial author=&#8221;Cesare Fertonani \u2013 Amadeus&#8221; job_title=&#8221;Aprile 2009&#8243; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<em>Un viaggio appassionante e ricco di rivelazioni continue grazie a esecuzioni dalla musicalit\u00e0 freschissima e partecipe. (Cd Jewish Baroque Music)<\/em><\/p>\n<p>[\/et_pb_testimonial][et_pb_testimonial author=&#8221;Carla Moreni \u2013 Il Sole24ore&#8221; job_title=&#8221;Gennaio 2009&#8243; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n<em>La delicata congiunzione tra sapore popolare e passo classico \u00e8 perfettamente colta dall\u2019Ensemble Salomone Rossi, che la traduce con eleganza ma anche con affetto. <\/em><em>(Cd Jewish Baroque Music)<\/em><\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_sidebar orientation=&#8221;right&#8221; area=&#8221;sidebar-1&#8243; _builder_version=&#8221;4.16&#8243; remove_border=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>\n&nbsp;<\/p>\n<p>[\/et_pb_sidebar][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Ensemble Salomone RossiMusical flowers from the Italian and European Jewish Baroque Jewish Tradition in European Baroque Music Nicol\u00f2 Balducci, countertenor &#8211; Vincenzo Di Donato, tenor Marta Fumagalli, mezzosoprano The program [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-28883","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/pages\/28883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/comments?post=28883"}],"version-history":[{"count":0,"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/pages\/28883\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lydiacevidalli.it\/en\/wp-json\/wp\/v2\/media?parent=28883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}